I like what Wallace Stevens said: "Poetry must almost successfully resist intelligence." I just change the word "poetry" to "my photographs".

I like small things, I like small moments that are almost elliptical, that are not necessarily linear; they're natural things that happen in the world, but if you look at them from a slight angle there's more than meets the eye.

I want to be made better personally. That is the gig.

Sharpness is overrated.

I'm fond of implied narratives, oblique angles, and leaving a little room for the viewer to finish a picture.

The full weight and mystery of your art rests upon your relationship to your subject matter.

At a fundamental level photography is much like pointing, and all of us occasionally point at things: look at that, look at that sailboat, look at that tree, etc. etc.