Though the structures and patterns of mathematics reflect the structure of, and resonate in, the human mind every bit as much as do the structures and patterns of music, human beings have developed no mathematical equivalent to a pair of ears. Mathematics can only be "seen" with the "eyes of the mind". It is as if we had no sense of hearing, so that only someone able to sight read music would be able to appreciate its patterns and harmonies.

The human brain finds it extremely hard to cope with a new level of abstraction. This is why it was well into the eighteenth century before mathematicians felt comfortable dealing with zero and with negative numbers, and why even today many people cannot accept the square root of minus-one as a genuine number.

Like a Shakespearean sonnet that captures the very essence of love, or a painting that brings out the beauty of the human form that is far more than just skin deep, Euler's Equation reaches down into the very depths of existence.

For all the time schools devote to the teaching of mathematics, very little (if any) is spent trying to convey just what the subject is about. Instead, the focus is on learning and applying various procedures to solve math problems. That's a bit like explaining soccer by saying it is executing a series of maneuvers to get the ball into the goal. Both accurately describe various key features, but they miss the what and the why of the big picture.

Calculus works by making visible the infinitesimally small.

The increased abstraction in mathematics that took place during the early part of this century was paralleled by a similar trend in the arts. In both cases, the increased level of abstraction demands greater effort on the part of anyone who wants to understand the work.

Indeed, nowadays no electrical engineer could get along without complex numbers, and neither could anyone working in aerodynamics or fluid dynamics.