Some of the justifiable critiques has been by - been so successful in telling this story, you know, there's a danger of saying, oh, well, you know, we don't need to worry about this because that's absolutely not the case. What [Hans] Rosling is doing is showing us an overall global trend, which in a sense tells us how bad things were - doesn't mean to say the problems are gone, doesn't mean to say they're any less.
Keith DevlinCardinal arithmetic will be quite important for us, so we spend some time on it. Since, however, it tends to be trivial, we shall not need to spend much of this time on proofs.
Keith DevlinI saw the first one [video with Hans Rosling ] when he did - I think it was his first one - in 2006, a TED Talk. And for the first time in my life, I thought here's someone who can take statistics that most people regard as dull and boring and bring it alive.
Keith DevlinThe whole apparatus of the calculus takes on an entirely different form when developed for the complex numbers.
Keith DevlinThe increased abstraction in mathematics that took place during the early part of this century was paralleled by a similar trend in the arts. In both cases, the increased level of abstraction demands greater effort on the part of anyone who wants to understand the work.
Keith DevlinThe human brain finds it extremely hard to cope with a new level of abstraction. This is why it was well into the eighteenth century before mathematicians felt comfortable dealing with zero and with negative numbers, and why even today many people cannot accept the square root of minus-one as a genuine number.
Keith DevlinThough the structures and patterns of mathematics reflect the structure of, and resonate in, the human mind every bit as much as do the structures and patterns of music, human beings have developed no mathematical equivalent to a pair of ears. Mathematics can only be "seen" with the "eyes of the mind". It is as if we had no sense of hearing, so that only someone able to sight read music would be able to appreciate its patterns and harmonies.
Keith Devlin