I love collecting; my joy is finding private press American or European home studio electronic music from the 60s and 70s.

Records can ruin you. That's why it's important to be as intimately familiar as possible with the history of recorded music, I guess. In a way, it's an argument for record collecting.

Unfortunately I've gotten more resistance in the last year than I ever have.

It's funny, because I'm so associated with digital art and computer art, and yet I spend so little time in front of the computer.

I see someone play, or I listen to a record, and I think, "How did they make that sound?' It's not emulation; it's more building a vocabulary that can be called up at a moment's notice.

I think if people have more of an understanding of what I'm doing, then they'll appreciate it and get into it more.

I love collecting; my joy is finding private press American or European home studio electronic music from the 60s and 70s.