Once we're inside a tune, we can do anything with it.

Your own music comes out of your head and emotions, but it's not etched in your system.

When you're on stage you have a very strange knowledge of what the audience is. It isn't exactly a sound - it's a hum, like the streets.

... The 'cleverness' syndrome has taken the place of melody. It's like everyone has come down with this terrible disease in jazz....you are always expected to do your own material, which is a strange thing to do if you're a poor composer but a great player.

It is the individual voice, present to itself, that needs to be heard. We need to hear the process of the musician working on himself. We don't need to hear who is more clever with synthesizers. Our cleverness has created the world we live in, which in many ways, we're sorry about.

The way I think about the practicing, it is my undercover work.

You know, when people look at a tree, they look at the leaves; they don't look at the spaces between the leaves. They're focused on the tree. I think there's an awareness of spaces or it wouldn't look like a tree to them.