When you are growing up there are two institutional places that affect you most powerfully: the church, which belongs to God, and the public library, which belongs to you.

My father. I snorted my father. He was cremated and I couldn't resist grinding him up with a little bit of blow.

You're sitting with some guys, and you're playing and you go, "Ooh, yeah!" That feeling is worth more than anything. There's a certain moment when you realize that you've actually just left the planet for a bit and that nobody can touch you. You're elevated because you're with a bunch of guys that want to do the same thing as you. And when it works, baby, you've got wings. You know you've been somewhere most people will never get; you've been to a special place.

I never plan anything, which is probably the difference between Mick and myself. Mick needs to know what he's gonna do tomorrow and I'm just happy to wake up to see who's hanging around. Mick's rock and I'm roll.

To make a rock'n'roll record, technology is the least important thing.

Yes, I've been trepanned. That's quite an interesting experience, especially for my brain surgeon, who saw my thoughts flying around in my brain.

What is it that makes you want to write songs? In a way you want to stretch yourself into other people’s hearts. You want to plant yourself there, or at least get a resonance, where other people become a bigger instrument than the one you’re playing. It becomes almost an obsession to touch other people. To write a song that is remembered and taken to heart is a connection, a touching of bases. A thread that runs through all of us. A stab to the heart. Sometimes I think songwriting is about tightening the heartstrings as much as possible without bringing on a heart attack.