The thing about being a songwriter, once you realize you are one, is that to provide ammo, you start to become an observer. ... You're constantly on the alert. That faculty gets trained in you over the years: observing people, how they react to one another, which in a way makes you weirdly distant. ... It's a little of Peeping Tom, being a song-writer.

I consider my job [being a musician] is to have a little idea and nurture it and put it in some form that everybody else can understand and then sort of pass it on. It's really a passing through. In other words, you receive and you transmit.

When you are growing up there are two institutional places that affect you most powerfully: the church, which belongs to God, and the public library, which belongs to you.

There's no substitute for live work to keep a band together.

I never plan anything, which is probably the difference between Mick and myself. Mick needs to know what he's gonna do tomorrow and I'm just happy to wake up to see who's hanging around. Mick's rock and I'm roll.

To a musician or songwriter, your canvas is silence.

The only things Mick and I disagree about is the band, the music and what we do.