I'm not a victim. And the people who are victims of something, my heart is completely with them. But I'm not. I know I've been treated like a woman in this business [acting]. I mean I've got lots of stories, but they don't have any control over me.

If you act brave, you can seem brave, and if you do it enough, you can talk yourself into believing you're brave.

When doing a revival, you have a lot of people asking you questions about someone who played it before, and to me that's neither here nor there - it has no bearing on the material that I have to use. The material that is written down in a score and script that the writers originally used is what I use.

American theatre, to me, represents zeroing down on what the need is to get inside the personal hearts of people. I think it's really beautiful if we can keep doing that instead of just fluffing everything up and hiding again.

One thing I really, truly believe in is having something greater than myself to be grateful to.

I mean, it feels like a homecoming in a really wonderfully comfortable place to be - the same director, the same musical director, my same dressing room! [laughs] It's a great place to build something with freedom.

By no means, I can't sing any rock and roll.