If you have kids, in my opinion, your priorities better shift to them.

In this particular business [cinema], you don't choose your own experiences. They start to happen and then they start to peel off and make other ones happen, and then you can start choosing. But it happens to you.

I try to do different roles and try to immerse myself deeply and see what they need to be that's different than the last one.

We can make choices, but we can be vulnerable; we can do the wrong thing, but the wrong thing for all the right reasons. I think it [life] is basically about forgiveness, and not about someone else forgiving you, but you forgiving yourself. I think we all want a lot of that.

American theatre, to me, represents zeroing down on what the need is to get inside the personal hearts of people. I think it's really beautiful if we can keep doing that instead of just fluffing everything up and hiding again.

I'm grateful that I feel the way that I do - to make choices based on a lot of people's feelings - even though it has been hard at times, especially when I was younger, but I feel like it has led me down the right road for me. I'm very happy with what has come of that.

I mean, it feels like a homecoming in a really wonderfully comfortable place to be - the same director, the same musical director, my same dressing room! [laughs] It's a great place to build something with freedom.