When I did my first solo show and it made my dad uncomfortable, I wasn't quite ready for my spotlight moment in my life yet. I didn't have enough sense of myself and self-esteem and confidence: this is when I started looking to get my master's in something.

I took everything really seriously and was overly sensitive about things, and I think that's rooted in perfectionism.

I have known know many therapists who come out of Pacifica Graduate Institute and love being both artists and therapists at the same time, like Maureen Murdock. They are photographers and dancers and other kinds of things and therapists at the same time. I think it really makes them a much more interesting therapist because they're so engaged with the imagination and the creativity and the depths of who they are.

If my artist life didn't work or if I needed to work in some capacity part-time in something, I knew I'd have a real life skill [become a therapist].

If you're never called, then you don't know any better. If you are called and don't answer the call, then that is the most difficult and painful. If you are called and do answer the call, it is the adventure of your life.

The work is important and essential and I've had a therapist myself for decades and it's important work, but I knew that I wanted to work with people who are more functioning and that's when I decided to pursue my performance career full-time.

Working with the body and the imagination - non-verbal ways especially - tap into our deepest wounds and our highest potentials as humans.