Creating safety is your first job [as therapist], and then once that's established, you can use many tools to help someone see the folly in their thinking.

Working with the body and the imagination - non-verbal ways especially - tap into our deepest wounds and our highest potentials as humans.

There's a real careful line you have to walk there because your first job [therapist] is to create safety for the client to feel safe enough to turn their vision in towards themselves and their experience in the moment and to reveal things that usually carry a lot of shame or that kind of stuff around.

I didn't think I'd be a good therapist. I didn't think I could do both at the same time. Maybe some people can, but I wanted a bigger spotlight and I don't think that's right for clients to have a therapist who wants that kind of life.

When I did my first solo show and it made my dad uncomfortable, I wasn't quite ready for my spotlight moment in my life yet. I didn't have enough sense of myself and self-esteem and confidence: this is when I started looking to get my master's in something.

Right before I went to Pacifica, I had written and performed a one-woman show and I consider that to be my original art form. Spaulding Grey and Karen Finley and other spoken word artists and performance artists really very much interested me, that art form.

This has been my struggle for years - the pull between wanting to be in the spotlight and yet also to make a difference in the world. Lately I've come to conclude that I can be a "selfish" artist that focuses on issues of individuation, power, and freedom.