When you are on tour in the UK it takes a few hours to get anywhere. A lot of the time you can have a beer, close your eyes for two minutes, and then you are there. In the U.S. it is much more like a road trip as all the cities are so spread apart.

To remain relevant though, I think making great records is the key.

Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.

A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.

We didn't really want to be an overnight success as that brings with it its own problems.

If you repeat what you did in the last tour, the likelihood is it's not gonna be successful twice. People are nostalgic about a particular record, because it's about the time when they were listening to that record. But if you do it again, they're like, I'm not that guy anymore.

The culture's changed massively. The kids are different, with the phones and stuff. Even if you like a song, you don't really know who the artists are, it's a lot more faceless, it's a lot less tribal. When we were growing up it was much more tribal - it was rock, it was grunge. Now people like songs, [but] they don't necessarily know the song's origins. I don't know how you would feel angry at the world, or distressed, because most people are constantly distracted or consumed.