I tend to get cast as a certain type of quiet, almost introverted person who's strong on the inside, but the characters are so very different I don't see it as any kind of typecasting.

L.A. is brilliant, but however long my trip is I'm always ready to leave. But New York I'm never quite happy to see the back of.

I've done TV and I've done film, and I'm not snobby about it. It's about the project.

It was both comforting and terrifying to go in to audition for 'The Girl in the Cafe,' as I'd worked with everyone in the room on 'State Of Play.'

I get claustrophobic in a harness. I'd be a terrible superhero.

It can get a bit boring working on accents.

I don't think you can be involved in film and not be a fan of theirs. The one that I just go back to and can watch anytime it's on TV and I'll watch to the end, is Fargo. I think it's, like, a perfect film, it's genius.