What I felt at that time - we're talking about '61 - was that I couldn't remember seeing a film that reflected the age we were living in.

I have never been sorry to see my sets being struck, provided they are well photographed. They're not works of art but part of making a film.

What I felt at that time - we're talking about '61 - was that I couldn't remember seeing a film that reflected the age we were living in.

The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.

To be successful, you really have to put your ego in the background and try to be diplomatic to achieve what you want to achieve.

A studio allows me more freedom. You can create your own sort of reality which is actually more exciting than shooting on location. You can conjure up a complete atmosphere of escapism for the public.

My mother and father were interested in the arts.