Nothing in our daily life offers more of the comfort of continuity, the generational connection of belonging to a vast and complicated American family, the powerful sense of home, the freedom from time's constraints, and the great gift of accumulated memory than does our National Pastime.

I enjoy total creative control right now. Nobody tells me to make it longer, shorter, better, sexier, more violent, whatever.

Do something that will last and be beautiful. It doesn't have to be a bridge-or a symphony or book or a business. It could be the look in the eye of a child you raise or a simple garden you tend. Do something that will last and be beautiful.

I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.

No one was more important to the game of baseball in the last half of the 20th century than Henry Aaron and no one writes about that supremely talented man, that tumultuous time and this treasure of a game better than Howard Bryant. Together, they are an extraordinary combination, and the book Bryant has written gets to the heart of the complicated and dignified, patient and consistent genuine hero that is Henry Aaron.

Wynton told us that Miles sold out, just wanted to make more money, just wanted to sell more records. I don't believe that Miles sold out but I'm not in a position to say.

I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault.