We’re all good when it suits us, he used to say: that doesn’t count. It’s when you want so badly to do something wrong—when you’re about to make a fortune from a dishonest deal, or kiss the lovely lips of your neighbor’s wife, or tell a lie to get yourself out of terrible trouble—that’s when you need the rules. Your integrity is like a sword, he would say: you shouldn’t wave it until you’re about to put it to the test.

Why did people manufacture trouble when there was already so much of it in the world?

The degradation to which you subject others comes back, sooner or later, to haunt you.

Ethel said: "Lloyd, there's someone here you may remember-" Daisy could not restrain herself. She ran to Lloyd and threw herself into his arms. She hugged him. She looked into his green eyes, then kissed his brown cheeks and his broken nose and then his mouth. "I love you, Lloyd," she sad madly. "I love you, I love you, I love you." "I love you, too, Daisy," he said. Behind her, Daisy heard Ethel's wry voice. "You do remember, I see.

You see, all that I ever held dear has been taken from me," she said in a matter-of-fact tone. "And when you've lost everything-" Her facade began to crumble, and her voice broke, but she made herself carry on. "When you've lost everything, you've got nothing to lose.

I use a professional researcher in New York who does all the legwork, all that stuff which would take me days and weeks of calling, waiting for people to call back.

I want to tell a story that makes the reader always want to see what will happen next.