Then - as he was talking - a set of tail-lights going past lit up McMurphy's face, and the windshield reflected an expression that was allowed only because he figured it'd be too dark for anybody in the car to see, dreadfully tired and strained and frantic, like there wasn't enough time left for something he had to do.

If this glorious birth to death hassle is the only hassle we are ever to have ..if our grand exhilarating fight of life is such a tragically short little scrap anyway,compared to the eons of rounds before and after-then why should one want to relinquish even a few precious seconds of it?

That ain't me, that ain't my face. It wasn't even me when I was trying to be that face. I wasn't even really me them; I was just being the way I looked, the way people wanted.

They did type me as a horror writer, but I have been able to do all sorts of things within that framework.

But the more I read... after awhile... I begin to find they were all writing about the same thing, this same dull old here-today-gone-tomorrow scene... Shakespeare, Milton, Matthew Arnold, even Baudelaire, even this cat whoever he was that wrote Beowulf... the same scene for the same reasons and to the same end, whether it was Dante with his pit or Baudelaire with his pot... the same dull old scene...

I was raised a Christian and was a stone-faced acid head.

A sound of cornered-animal fear and hate and surrender and defiance . . . like the last sound the treed and shot and falling animal makes as the dogs get him, when he finally doesn't care about anything but himself and his dying.