A movie isn't a political movement, a party or even an article. It's just a film. At best it can add its voice to public outrage.

Every time a colony wants independence, the questions on the agenda are: a) how do you get the imperialists out, and b) what kind of society do you build? There are usually the bourgeois nationalists who say, 'Let's just change the flag and keep everything as it was.' Then there are the revolutionaries who say, 'Let's change the property laws.' It's always a critical moment.

Shaping it is something I would expect to do together with a writer, because that's a director's job.

The most depressing thing is the political slogan: there is no alternative. But there is.

In the end the privatisation of war is not acceptable. We shouldn't be issuing these sub-contracts to these contracting companies because the people who run them are making millions. There should be no relationship between ex-politicians and them, like John Reid and Malcolm Rifkind, who are now associated with contracting companies having been ministers of defence. That's unacceptable.

A movie isn't a political movement, a party or even an article. It's just a film. At best it can add its voice to public outrage.

I turned down the OBE because its not a club you want to join when you look at the villains whove got it. Its all the things I think are despicable: patronage, deferring to the monarchy and the name of the British Empire, which is a monument of exploitation and conquest.