I always felt like there was a certain standard of music that I had to do from the beginning, even when I didn't have the recognition that I have now.

My grandma always said, "Where there's a will, there's a way." I think it's just naturally in our DNA to be able to survive. We was always taught that: to survive. When you talking about slavery, it's to survive.

We hurt people that love us, love people that hurt us

Groups break up because they never got across what they wanted to do personally, and they have creative differences, and egos start to clash.

I went to South Africa - Durban, Cape Town, Johannesburg - and those were definitely the "I've arrived" shows. Outside of the money, the success, the accolades ... This is a place that we, in urban communities, never dream of. We never dream of Africa. Like, "Damn, this is the motherland." You feel it as soon as you touch down. That moment changed my whole perspective on how to convey my art.

Teenagers expressing this on a daily basis in the middle of the streets - you can't help but believe we are in the mind state of taking our losses and changing people's perceptions of us and our community. We are strong. Our families are tired of being hurt.

You grow up inside these neighborhoods and these communities, and you have friends, friends that you love, friends that you grew up with since elementary. And you have their trust, and you have their loyalty. So it brings influence. So no matter how much of a leader I thought I was, I was always under the influence, period.