If I'm gonna tell a real story, I'm gonna start with my name.

[Drizzy] reached out to me through Chase N Cashe, they're brothers, they're one. Chase N Cashe made the connection, played some of my music and he [Drake] got up on it, got interested in the music and just reached out and said "You know what, let's work."

We're all human at the end of the day, making mistakes. But learn from them is the key.

I went to South Africa - Durban, Cape Town, Johannesburg - and those were definitely the "I've arrived" shows. Outside of the money, the success, the accolades ... This is a place that we, in urban communities, never dream of. We never dream of Africa. Like, "Damn, this is the motherland." You feel it as soon as you touch down. That moment changed my whole perspective on how to convey my art.

The best thing is to always keep honest people around, because when you have a bunch of yes men around that know that you're making a mistake but let you go on with it, that's when it ruins your mind state as an artist.

I don't talk about these things if I haven't lived them, and I've hurt people in my life. It's something I still have to think about when I sleep at night.

I went back and studied the game, was a student of the game and worked on my craft and dedicated myself, you know? A lot of my music revolves around me growing up in Compton. I want to tell a different story that's never been told before, of a good kid in a mad city.