I have a problem with censorship by the lawyer - by legal people by the publishing firm, and I may be changing publishers. They don't seem to want to take too many risks with living people.

The music rights at the time cost me $12,000 in 1964 money, which is about double now or whatever. But I cleared everything. I had a lawyer in New York. And it was cleared for use in a short subject, not a feature.

Puce Women was my love affair with Hollywood... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts.

A lavish colored evocation of Hollywood now gone, as shown through an afternoon in the milieu of the 1920's film star.

I hate to say that, but the past was much more fascinating. I don't particularly care for any of the current crop of actors. I don't particularly care for any of the current crop of directors. But I have a lot of friends who are editors, and there are a lot of technical things going on here that are interesting.

I have a problem with censorship by the lawyer - by legal people by the publishing firm, and I may be changing publishers. They don't seem to want to take too many risks with living people.

I prefer to think of film making - you know, um, the sweat is supposed to be invisible. But a lot of sweat can go into making a film. But of course, if you enjoy doing it, you enjoy doing it.