If you've been to Moscow, it's a really exciting and great city, but it still feels like you should be a little careful about which way you're going to step.

Even if people are all from the same place, there can be very, very different approaches. It's one of the things I'm fascinated by. It's why I like directing. I like to see how different people approach trying to be truthful, on camera or in the theater, and whether you can make them match up.

Actually I think 'A Midsummer Night's Dream' could sit very very perfectly in the middle of a Disney world I think.

Truth is like most opinions - best unexpressed.

Two billion people watched the royal wedding. Clearly, they're interested in that - the outside of what appears to be lives that have a certain amount of privilege. They have gifts, they have history, they have a sort of unusual and separate position, which maybe involves paying a price.

Everything is important, but there is a weight to these big or expected things and then there is the logistics of them and it's trying to find, while you worry about for instance the ballroom scene, how do you get 500 people to go to the loo in corsets and don't cost you an hour and how do you remember while you're organizing all that to take a breath and say, 'Well the scene is about all of that and it's about Prince hand on the small of Cinderella back as well' and we need time to do that properly as well.

The long version of the play is actually an easier version to follow. In all of the cut versions the intense speeches are cut too close together for the audience and the actors.