The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time.

Leonardo is the Hamlet of art history whom each of us must recreate for himself.

Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition.

This became Delacroix 's theme: that the achievements of the spirit all that a great library contained were the result of a state of society so delicately balanced that at the least touch they would be crushed beneath an avalanche of pent-up animal forces.

We are part of a great whole. All living things are our brothers and sisters.

Ruthless, greedy, tyrannical, disreputable... they have had one principle worth all the rest, the principle of delight!

The dark ghettos are social, political, educational and-above all-economic colonies. Their inhabitants are subject peoples, victims of the greed, cruelty, insensitivity, guilt, and fear of their masters.