I think it's time to admit that our writing is guided by the technology we use as much as it is by our own subjectivity.

Language is material to shape and mold, not only a transparent or invisible medium for communication, business contracts, or telling stories.

I often don't endorse what I tweet, rather I want to throw things about to spark conversation or controversy. What I think about something is not particularly important when talking to thousands of unknown strangers.

I think that the special thing about radio is the off switch. If something's not pleasing you, turn it off.

Favoriting tweets has become a form of acknowledging that you've read what someone else has written.

I wonder if Karl Ove Knausgård would've written the same books today had been using Twitter. It wasn't around when he was writing those books. Those books were written during the age of the blog, with its big verbiage. The landscape has completely changed today.

The best thing about conceptual poetry is that it doesn’t need to be read. You don’t have to read it. As a matter of fact, you can write books, and you don’t even have to read them. My books, for example, are unreadable. All you need to know is the concept behind them. Here’s every word I spoke for a week. Here’s a year’s worth of weather reports... and without ever having to read these things, you understand them.