If you work on something a little bit every day, you end up with something that is massive.

New York City is just one node on the global cultural scene now. Social media reflects the state of the world, so I've become more devoted to that. To be a NYC artist today feels local and small. Social media feels now.

I think that the special thing about radio is the off switch. If something's not pleasing you, turn it off.

Everyone complains that we can no longer intake huge chunks of text. I find that a reason to celebrate. It's something that has deep roots in modernism, stretching from the Futurists' use of typography to Pound's use of ideograms to concrete poetry.

Favoriting tweets has become a form of acknowledging that you've read what someone else has written.

I don't think that the world will ever become an unpoliced place, sadly. But I do feel that there is relative freedom on the margins.

I think that writers often try too hard in the name of expression, when often it's just a matter of reframing what's around you or republishing a preexisting text into a new environment that makes for a successful work.