If you work on something a little bit every day, you end up with something that is massive.

For me, Twitter is a public persona. I don't interact. It's a lousy form for conversation and opinion, but a wonderful propaganda and sloganeering tool. I use it as a one-way street.

If you don't want something to exist - and there are many reasons to want to keep things private - keep it off the web. But if you put it in digital form, expect it to be bootlegged, remixed, manipulated, and endlessly commented upon.

All of our media is made of language: our films, our music, our images, and of course our words. How different this is from analog production, where, if you were somehow able to peel back the emulsion from, say, a photograph, you wouldn't find a speck of language lurking below the surface.

Conceptual writing is looking for that "Aha!" moment, when something so simple, right under our noses, is revealed as being awe- inspiring, profound, and transcendent.

How fortunate we are to exist in the moneyless economy of poetry! When you take money out of the equation, anything goes and nobody cares. It's truly free.

I think that the special thing about radio is the off switch. If something's not pleasing you, turn it off.