[With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.

I don't think fast enough on my feet in terms of the writing to change the script too much when I'm shooting it. I like to have it set and done and know that I feel good about it and I might add a few lines here and there while we're shooting, if I think of a new joke, I might toss it in, but for the most part, I try to stick to the written script and have all the latitude exist within that.

It's not a character flaw to become an adult.

I take it as a sign of intimacy and friendship when you feel comfortable enough with someone to have a little rough and tumble.

I feel like if you can describe something fully and accurately, then people will be able to see it themselves - they don't need be told what to.

I'm always struck when I go somewhere I've never been before, especially if it's in my home town, by just how different the atmosphere can be, and how disorienting it can be - especially if there's any kind of trouble.

I've reached a new level of closeness with a new friend when I can make a joke at their expense. That's one of the great joys of life for me.