I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies.

There's something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.

I take it as a sign of intimacy and friendship when you feel comfortable enough with someone to have a little rough and tumble.

There's a few people who I've accumulated over the years who I really trust to show a first cut to and to be helpful rather than unhelpful.

I actually think storyboards are great. I don't draw well enough to do them myself. I've only used storyboards a couple of times.

You can shoot a film in New York without seeing the Empire State Building. Or Starbucks...although the latter is much less realistic.

I feel like if you can describe something fully and accurately, then people will be able to see it themselves - they don't need be told what to.