I think of painting without subject matter as music without words.
In the '50s Morris Louis and I were not known, David Smith and Helen Frankenthaler were not much known.
I met David Smith through my former wife, Cornelia, who'd studied with him.
For me context is the key - from that comes the understanding of everything.
Context begins with other artists - seniors and mentors.
I've also been willing to share any help that I could give to any other artist.