Hegel understood the Heisenbergian reality of knowing: yes, it would be nice if we could somehow delicately capture the truth and bring it closer to ourselves without altering it, "like a bird caught with a limestick." But the reality is, every truth we manage to know is altered, deformed by our very "encheiresis naturae," by the act of our taking-in-hand of nature (to borrow the alchemists' phrase from Goethe's Faust).

I have always been spurred on by my not finding expressed anywhere the kinds of perspectives that I thought these issues most perspicuously needed and deserved; but that is just another way of saying that Americans have overwhelmingly expunged from their public understanding the strongest and most clarifying resources out of ancient and traditional European cultures. By far we prefer our familiar and user-friendly parochialisms, and there is no percentage in trying to pry these pachydermal plates apart.

In late modernity we grow more and more accustomed to politicians and public figures who are indebted to their appetites for their "values," to their intellectual sloth for their "principles," to their rhetorical cleverness for their "conscience," and to their regimented conformism for their "philosophy."

All that the posture of skepticism accomplishes is to freeze the ego in an ignorantist poverty that never stretches or diversifies its resources of imagination or understanding. Any uncultured cretin can close his eyes and try to reduce the issues down to linear simplisms and say, "I am doubting, I am proving my magisterial or sovereign control over my own mind." Doubt is a useful and significant test of one's critical powers, but by itself it bears little if any significant cultural charge of enlightenment or satori; indeed it is the very opposite kind of thing.

In all technai or arts (medicine perhaps most of all), there is a self-exhilaration on the part of the practitioner (the intoxication of the ego with its own potency) which is infectious: the patient enjoys a placebo-effect which redounds to the ego of the "artist."

As always, the illusion of self-transcendence is far more facile and available than self-transcendence itself: in the vast majority of cases what human consciousness opens up to is merely a more encompassing form of finitude (another captivating illusion or delusion).

Soul one might say is more imperfectly infinite than spirit, because soul tends to abolish the ego-consciousness that it absorbs or overwhelms, reducing its particularizing structure to pure sublime feeling (immediacy); but spirit is more successfully infinite than soul, even though also more difficult and abstruse, because it digests the functions of consciousness into itself and thus preserves and deploys the senses and intelligence of conscious ego to higher ends.