The way Japan had tried to build up a modern state modelled on the West was cataclysmic.

I have survived by representing these sufferings of mine in the form of the novel.

By reading Huckleberry Finn I felt I was able to justify my act of going into the mountain forest at night and sleeping among the trees with a sense of security which I could never find indoors.

I think I am doing my works to link myself, my family, with society — with the cosmos. To link me with my family to the cosmos, that is easy, because all literature has some mystic tendency. So when we write about our family, we can link ourselves to the cosmos.

There could be joy in destruction, too, couldn't there? Isn't Jesus Christ's Second Coming supposed to occur only after a lot of unmitigated destruction? But again, human history is fraught with tragedies in which man spared no effort to destroy with millenarian joy, only to learn that no messiah appeared afterwards.

However, please allow me to say that the fundamental style of my writing has been to start from my personal matters and then to link it up with society, the state and the world.

The people of Hiroshima went to work at once to restore human society in the aftermath of the great atomic flood. They were concerned to salvage their own lives, but in the process they also salvaged the souls of the people who have brought the atomic bomb.