Tradition can, to be sure, participate in a creation, but it can no longer be creative itself.

I first decided architecture was for me when I saw Le Corbusier's designs in a Japanese magazine in the 1930s.

We live in a world where great incompatibles co-exist: the human scale and the superhuman scale, stability and mobility, permanence and change, identity and anonymity, comprehensibility and universality.

Nevertheless, the basic forms, spaces, and appearances must be logical

I am aware of changes gradually taking place in my own designs as part of my thinking on this matter

There is a powerful need for symbolism, and that means the architecture must have something that appeals to the human heart. There is a powerful need for symbolism, and that means the architecture must have something that appeals to the human heart

Technological considerations are of great importance to architecture and cities in the informational society.