I spend a lot of time writing in New York.

Everything is temporary. Everything is bound to end.

I'm always on a train or a plane, so wherever I happen to be is home.

When you record, you live with what you recorded for many many years, but when you play it's just an hour and a half and then once it's over it's over.

I like the idea of having a calm, quiet room to work on my [art] while knowing that outside there's noise and a lot happening. It's reassuring to know the 'everyday' continues even though inside the studio you feel so disconnected from it.

I spend a lot of time writing in New York.

I'm very attached to Paris because I have a base there and am also recording there, but New York is home to me when I'm in the U.S., because it's nice to have a bed to go back to.