I think I'm probably more passionate about acting now than when I was a kid. When I was young, I didn't know what I was doing.

[Adrienne Shelly] explain exactly what she was looking for. This was her movie [Waitress].She also wrote the songs that I sing in it. She wrote everything. She chose the colour of our outfits; she designed the set of the diner. She was very, very involved at every level.

Naps are the key to relieving stress. When you are working on two hours of sleep, the fact that cheese comes on something when you ordered it with no cheese is enough to send you crying under the covers for an hour.

Adrienne [ Shelly] had 100 per cent control over this movie [ Waitress] as a director. She didn't just write it, direct it and act in it, she was the creative force behind everything, from the jokes down to the expressions.

I think the first time I realized I was actually acting was during Felicity. Before that, I was just going along for the ride.

I was more intrigued by the relationship [in Felicity]; the idea of these two teenagers who were placed together. What would that be like, and what would it be like to watch that unravel. Living together, and having babies with somebody, missing out on your whole childhood, and then spending all these years with someone. I was more intrigued by that.

It's definitely a unique situation that we're in. And, yeah, it is difficult not having our ringleader here with us to talk about the film [the Waitress], not having our main person here. People are also asking in relation to the film: what would Adrienne [ Shelly] say about this or that? But I don't know. I don't know what she would say.