I don't have time for any special skin routines. Many a night I go to bed with the gloppy mascara and all.

I think it's quite common and realistic. There are many stories like this [in Waitress]. [Jenna, my character] marriage looks really horrible up on the screen but I think there are a lot of people in bad relationships who wake up and think to themselves: "Wow, how did I end up here? Why am I still here and so unhappy and not satisfied with my life?"

I like getting to be in the adult world a little bit and then getting to be in the mom world and cook dinners. And, for me, that balance is what makes it nice.

People - not just in their teenage years - hold on to this fantasy of love when they're not ready to have a real relationship.

[Andy Griffith] is so great. He's just a dream. He's a beautiful man and so professional. I think he had more to say, script-wise, than anyone else, and when you're older it's not easy to memorize lines.

We shot the movie [Waitress] in 20 days so there wasn't a lot of time to learn. There wasn't a lot of pie baking going on, at least not by me. But we always had pies while we were filming - we ate two different pies every day for lunch!

I love the complication of the kids in the characters' lives. I love that these two people are very capable in all these ways. They're so trained. They're kind of deadly. They're smart and vicious at times, but I love that they're undone by a teenager, like we all are. We're all incensed and undone by the ungratefulness of a child, and I love that it matters so greatly to them, in a way that it matters to every parent. Teenagers are going to do that no matter where you live or who you are.