What I preserved in the figures [at Invisible Man] are those white eyes and white teeth, because that's still connected to the way in which blackness, in the extreme, has been stigmatized and the way it was often joked that you couldn't see black people in the dark until they had their eyes open or were smiling.
Kerry James MarshallThe moment you introduce difference into a museum, then the privileged space is contested, and under the most ideal circumstances what all artists want is the chance to be competitive. That's what I think the museum is supposed to be.
Kerry James MarshallI want people to understand that this is a very calibrated image [Portrait of the Artist as a Shadow of His Former Self ], where point by point, very little is left to chance.
Kerry James MarshallI think the museum should be an arena in which ideals can hash it out, fight it out, tooth and nail, for attention.
Kerry James MarshallI just thought someone has to figure out how to break through that barrier and create a narrative for a black super hero story to unfold at the same scale as something like Star Wars. Rythm Mastr is about producing a narrative of a hero engaged in a struggle as complicated as those other stories. The catalyst for it was the beginning of the demolition of public housing in Chicago.
Kerry James Marshall