I'm doing this play right now, the new David Mamet play. It's called 'Race,' and it's very interesting how people really leave the theater filled with the desire to talk about the play and the issues and the characters, and how they're all navigating their personal views around race.

We can't say that we believe in each other's fundamental humanity, and then turn a blind eye to the reality of each other's existence, and the truth of each others' hearts. We must be allies and we must be allies in this business, because to be represented is to be humanized, and as long as anyone anywhere is being made to feel less human, our very definition of humanity is at stake, and we are all vulnerable.

I really love research. It's one of the things I love most about my job. I feel like it's me in the lab cooking up the character.

I work very physically as an actor. The biggest thing for me has been the challenge of how to be this person [Olivia Pope] with the personal transformation that's going on for me physically... That hasn't been easy. It's been an awesome challenge for me...because so much of how I access character is through my body.

I'll be honest with you. I'm a little bit of a loner. It's been a big part of my maturing process to learn to allow people to support me. I tend to be very self-reliant and private. And I have this history of wanting to work things out on my own and protect people from what's going on with me.

I come from the theater and I plan to always do theater. So I don't really see myself not being able to act even if people don't think I am sexy enough for film at 40, I'll still be acting.

You see the transformation that the arts have on young people. It changes their lives for the better. That's where my engagement is.