I feel like I barely survived Django (Unchained) emotionally - the violence, hearing the N-word every day. It cost me a lot psychologically, but it was worth it to tell that story.

Because having your story told as a woman, as a person of color, as a lesbian, as a trans person, or as any member of any disenfranchised community, is sadly often still a radical idea. There is so much power in storytelling, and there is enormous power in inclusive storytelling, in inclusive representations.

About a year ago I got really exhausted from reading bad scripts and I know that I am a writer and that I have stories to tell, so I thought, 'Let's do this!' So I'm co-writing a screenplay now with another screenwriter and loving it. Absolutely loving it. And I would like to be the producer on the project and of course the lead is me.

The breakdown of the black community, in order to maintain slavery, began with the breakdown of the black family. Men and women were not legally allowed to get married because you couldn't have that kind of love. It might get in the way of the economics of slavery. Your children could be taken from you and literally sold down the river.

I don't think I'm even close to fulfilling my potential. And I think also that, unlike a pianist or a flutist, an actor has an instrument that is constantly changing.

People don't think about the fact that when Barack Obama's parents had him it was illegal for them to be married in several states in this country. So if we start making it okay that certain people can marry and other people can't, it's a slippery slope of civil rights.

I'd never really heard of financial abuse, although it makes so much sense when you hear it defined.