I'm not going to work with a company that uses my artwork, which is precious to me, and not allow me to do certain things.

I created my own space, which was called the cave. It was a live/work space in downtown Los Angeles on 7th and Spring. When I lived there it was quite derelict. I got this massive space and half of it was my bedroom and the other half of it was the back room - no [natural] light, all fluorescent lights.

My fans - I hate the word fans...my supporters - it's an international following that isn't from being in London and existing on the "scene." It came from being on the Internet, from being a teenager communicating with different artists, showing who I am, who KESH is, as well as connecting with other people around the world doing similar things.

That's how I feel about the work. The work is solid, the work exists and will stay the same, but if you can have it playing and interacting with light, then it will always be different.

I use Instagram as an online gallery to display my work. For me, it's almost more important to exist online than it is in real life.

It takes me a long time to understand my work myself, so I name them in the order that they're created.

I tend to stay in one place and become a hermit and not leave. Work, work, work, and collect things, create and curate a space.