Growing up, I didn't have a family of creatives. I didn't have knowledge that becoming an artist was an option. I'm not from a wealthy family, and when you come from those circumstances, doing art isn't really an option.

The way I view the works, they're more like feelings than anything else.

When I get into a zone, I obsess and I don't care about anything else. I have to make the work.

It takes me a long time to understand my work myself, so I name them in the order that they're created.

I created my own space, which was called the cave. It was a live/work space in downtown Los Angeles on 7th and Spring. When I lived there it was quite derelict. I got this massive space and half of it was my bedroom and the other half of it was the back room - no [natural] light, all fluorescent lights.

My fans - I hate the word fans...my supporters - it's an international following that isn't from being in London and existing on the "scene." It came from being on the Internet, from being a teenager communicating with different artists, showing who I am, who KESH is, as well as connecting with other people around the world doing similar things.

Being a digital artist enables me to take my signature pieces and place them in a dimensional reality that only really exists within my head. Then I can bring it to life.