Whatever social network that comes along, whether it be Twitter, Facebook, Instagram, Snapchat, whatever it is, I'll use it in a creative sense to push the vision and explore the possibilities of the relationship between humans and technology.

The way I view the works, they're more like feelings than anything else.

We live on planet earth, we have the sun, and it's the most beautiful thing, the way the sun dances and the way shadows are cast.

If I keep going outside, I get distracted - and all these lunches and things I get invited to, I just don't care. I just want to make the work. New York is very distracting.

My fans - I hate the word fans...my supporters - it's an international following that isn't from being in London and existing on the "scene." It came from being on the Internet, from being a teenager communicating with different artists, showing who I am, who KESH is, as well as connecting with other people around the world doing similar things.

When I get into a zone, I obsess and I don't care about anything else. I have to make the work.

That's how I feel about the work. The work is solid, the work exists and will stay the same, but if you can have it playing and interacting with light, then it will always be different.