What I wanted was to write a memoir that was immersive rather than reflective, to resurrect a long-gone version of my own consciousness. I kept expecting that sooner or later the effort would come to seem like second nature to me, but it never did.

I had always been the kind of boy who was quick to laugh and quick to cry.

A successful song comes to sing itself inside the listener. It is cellular and seismic, a wave coalescing in the mind and in the flesh. There is a message outside and a message inside, and those messages are the same, like the pat and thud of two heartbeats, one within you, one surrounding. The message of the lullaby is that it’s okay to dim the eyes for a time, to lose sight of yourself as you sleep and as you grow: if you drift, it says, you’ll drift ashore: if you fall, you will fall into place.

In seventh grade I gradually became aware that that quickness of feeling was something I was supposed to have outgrown. I was rather guileless, I think, or at least I was when it came to the people I cared about.

I was wholly invested in my friendships. I might have tested them sometimes, but only to reassure myself that they were permanent. A mistake, of course.

There was no one alive who did not contribute his share of mystery to the world.

I write out of gratitude for all the books I have loved over the years.