I'm only interested in being a good actor and in being remembered for my best films, not for the way I look. But it seems inevitable in this line of work that I have to care about the way I look without getting obsessed about it.

When a defining moment comes along, you define the moment, or the moment defines you.

I work for the public, for the people who are paying to go to the cinema, rather than for the critics.

There's actually a big difference between story and character. A great story doesn't make a great movie. A great script, which defines its moments and characters can become a great movie. You can make a movie that makes a lot of money and it may or may not have great story or great characters.

I have instinctually thought I could do things in my life, and I followed that up by sometimes putting everything I have at risk - my money, my house - to make a movie.

When I read a story that I think has value and I want to be in it, that doesn't change for me. It doesn't fall out of favor for me. I might have to move on because the universe is saying you can't make this right now. But I'm going to circle back and make it.

I would hate to see a UFO. Because it would ruin my life. I would have to talk about it the rest of my life, and everybody in the room would go, "Poor Kevin." Because you could not turn your back on the idea that you saw it.