I don't feel the need to direct. I tried to get other people to direct Dances, but they wouldn't do it. They all thought it was too long. One director wanted to cut the Civil War sequence. Another thought the white woman was very cliched.

When you try to portray people's lives, you try to make sure you don't portray them as clowns and that you give them a level of dignity. You don't try to change their persona, but you try to understand that they had unique problems, set in a century that you don't live.

You can be as you choose to be. It's an act of discipline sometimes, but it can be done.

I just tried to build on my failures.

I'm a 'what if' person. I have always felt that failure was a completely underrated experience. I have taken blows. I have had high moments. But I don't think the blows have ever hardened me. My enthusiasms are still big.

I wanted very much to do Traffic and at one point it looked like I was going to work on it. And then, of course, Catherine Zeta-Jones had her relationship with Michael Douglas and it suddenly didn't happen.

I try to please myself. I don't try to anticipate what people want to see.