The great thing about "Shoot 'Em Up, Baby" is that it's the first song that we went and recorded [with Andy Kim].

There was this wonderful day where we sat and listened to all of Andy's [Kim] songs throughout the years, and I think we spent around six hours at my house, and then we played all these tunes of mine that have never found any version. And "Heaven Without a Gun" is one of them, and it struck him. If you can find a compadre who doesn't live in the literal world 'cos you're not always fighting to explain yourself to make sense, that maybe it's the dyslexia, maybe it's the dreamer, maybe it's the idea that grammar was not your foreplay - excuse me - see what I mean, your forte.

I could be dramatic and go "He saved my life!", but sometimes you just need to see it again. Sometimes you need to see that person want it so badly for all the right reasons, and it makes you realize that no matter what you do you already won.

As an artist, expectations are basically your enemy. If you're truly making something to make it, then you're not thinking about anything else except what you're making.

I have great relationships with all my exes, and everyone in my life, because I honor the time and the love and the energy of those relationships. I'm happy to say that I can have everybody over for dinner.

There's an interesting story around that ["Heaven Without a Gun"], because the girl I was dating at the time got into a bike accident and couldn't make it into the studio, and the gentleman Dave Hamlin who worked on this record along with Ohad sort of took it, rearranged it. Dave went and sonically changed it and changed the keys so that Andy could sing it better. All these pieces came together that suddenly displayed that the song was meant for Andy [Kim] to sing. And he always said, "I'll never understand it, but I'll sing it with all my heart."

You should never leave something with a feeling of defeat.