The latest thing that has caught me by surprise is Maryanne Amacher. I like sound that affects the listener physically. Traits such as complexity or simplicity don't really become a factor then. It's just the sound that I pay attention to.

As a kid, image played a huge part. I'm sure most kids find the image of the guitarist exciting.

I like to allow accidents to happen, not to force them, and yet not let myself feel miserable if they do happen, because they are so often the best things.

For me, the tabletop is an easy way to eliminate the possibilities of chords, modes, melodies, and harmonies. It kind of confines you to this other sound sphere. I know anyone facing this kind of dilemma could always just find another instrument more suitable to their needs, such as a sampler or synthesizer, but I figured I have a guitar and amp so why not just use them?

I'm often a firm believer in "the simpler the better" approach and it's evident in my guitar setup.

For some reason, I deliberately allow for simple things like three chords to mystify me. It's kind of fun that way. Like Billy Gibbons' guitar sound isn't the way it is because he uses a quarter as a pick or anything as simple as that; it's because he's in touch with a different sector of the cosmos that we know nothing about.

The latest thing that has caught me by surprise is Maryanne Amacher. I like sound that affects the listener physically. Traits such as complexity or simplicity don't really become a factor then. It's just the sound that I pay attention to.