My day job finds me in a double-bind often, and it's an ideal position for anyone interested in becoming highly reactive.

For some reason, I deliberately allow for simple things like three chords to mystify me. It's kind of fun that way. Like Billy Gibbons' guitar sound isn't the way it is because he uses a quarter as a pick or anything as simple as that; it's because he's in touch with a different sector of the cosmos that we know nothing about.

From the time I wake up until the time I go to bed, music is unfortunately on my mind, on my stereo, or I'm making it or talking about it.

My day job finds me in a double-bind often, and it's an ideal position for anyone interested in becoming highly reactive.

For me, the tabletop is an easy way to eliminate the possibilities of chords, modes, melodies, and harmonies. It kind of confines you to this other sound sphere. I know anyone facing this kind of dilemma could always just find another instrument more suitable to their needs, such as a sampler or synthesizer, but I figured I have a guitar and amp so why not just use them?

As a kid, image played a huge part. I'm sure most kids find the image of the guitarist exciting.

I've liked music since I can remember and the guitar was always the most attractive thing about music to me at that time. I played guitar in a high school band. I played guitar in various other bands up until I was 20, but nothing too serious. From time to time someone would ask me to play with a group, but I stopped playing with band-oriented projects as a whole soon after.