A lot of times you talk about what you know, but since our reality is so difficult, its hard to think about travelling beyond the stars to another dimension - fantasy worlds - when, in reality, you can't get a job on Earth.

I will always write myself a part. It will never be number one or two on the call sheet, but it will be number five through ten. That way they won't kick you off after you sell it.

I think that you take the path of least resistance. And for a lot of people comedy is that path. I mean, even against mainstream, it's easier to sell a comedy than a drama.

When I walk in the door sometimes, I'm already an anomaly. Because I'm working in a genre that African-American's don't typically engage in.

I think that that's important as a fledgling creator to generate your own work because it's hard to get people to hire you for a myriad of reasons. You have to be able to generate your own work and show that it has legs and that it's viable.

A lot of times you talk about what you know, but since our reality is so difficult, its hard to think about travelling beyond the stars to another dimension - fantasy worlds - when, in reality, you can't get a job on Earth.

Usually writers are behind the scenes. Like a lot of people don't know that the cat who created Final Destination is a brother, Jeffrey Reddick.