I understood that 'The Yellow Birds' would be a peculiar representation of the experience of being at war. I intended it to be so.

There's something immediate about the experience of reading a poem. It makes sense in my own mind, but I'm trying to figure out a way to articulate it... It's like looking at a painting: you're able to take in the totality of the work all at once, and so processing whatever information that painting is giving you is almost secondary to simply apprehending what's in front of you.

Noises and smells, those can bring back powerful memories. I remember when I was going to school one Fourth of July, and there were a lot of fireworks going off. I knew that I was in Richmond. I knew that I was a college student. But I thought people were shooting at me.

There's something immediate about the experience of reading a poem - whether it's the music or some other element of it - that just seems to access another part of the brain. You know, Charles Olson talks about this transfer of energy that happens between the writer and the reader of the poem. I guess there's something essential to me about acknowledging upfront the immensity of it - the difficulty of it - and even allowing that to be the subject.

I'm always most interested in writing about things that I don't understand.

I knew that at least a few of the stars I saw were probably gone already, collapsed into nothing. I felt like I was looking at a lie. But I didn't mind. The world makes liars of us all.

I've been writing poems and stories since I was about 13.