I think I just felt a sadness at some points in my career that what is available to a straight writer is not available to a gay writer.

People who aren't addicts want to know why I became one. They ask whether I had a midlife crisis. I'm only speaking for myself now, but I've stopped asking why and how. It's all about surrender and acceptance. It doesn't matter why I am an addict.

[Calvin Trillin] was very "shoe," which means he was a big jock, a big deal.

Sometimes if I am walking down the street and thinking about my panoply of God, Ganesha, Parvati [Ganesha's mother], I say "Lucifer," because he belongs in that panoply. I miss him. That's why I'm a theist.

Those people are seen, I assume, by Larry [Kramer] as writing partly about gay issues and problems, whether it's on the surface or not, and I am not. But another thing is when we met, there still wasn't exactly a gay/straight divide in the minds of a lot of straight people. There weren't any gay people, as far as we knew, at Yale.

It's always been hard to be gay in Washington.

I don't write poetry for the New Yorker. My poems appear in the Nation, mostly.