I get rejections from the New Yorker. When I had to give a little talk to the people graduating from the MBA program at Columbia who were going into writing and filmmaking and everything, I said, "When I tried to think of what to say, the only subject I thought was appropriate for people doing what you're going to do is rejection." That's what it's all about.

If there was criticism about [Oscar Wilde], it was because it was written by a straight man who wasn't very educated about the gay world.

I don't like the vulgarity of Oscars weekend, but it's also sweet. It's prom weekend for anyone who didn't experience the real prom: the nerds, gay, arty outsiders. Hollywood is high school with money.

In Western culture, there's a dichotomy between the easy narratives of God and the Devil. I now believe in this greater overarching spiritual thing. We are the light and the dark, and have to own the darkness. It's part of us. It's not evil. It's needed. You need to own both of them to be whole. Absorb it, and live it as part of your life.

I had no administrative function at the New Yorker. I am what we used to call in construction back in Kansas City where I grew up "a dog-ass subcontractor."

[Larry Kramer] even wrote this angry letter to the president of Yale, and in it he said what he said to us, that he was so disappointed in his straight friends because of AIDS and everything. He wrote the letter around March. And in it he wrote, "I usually go to the Trillins for Christmas, but I just couldn't do it this year."

I was so unhappy as a child in Washington I figured if I'm going to Yale, I am going to start a new life. I'll change my name to my middle name. So I was known for my four years at Yale as David Kramer.